The 30 Best Space Movies from The Right Stuff to Star Wars (2024)

Director: Stanley Kubrick

Cast: Keir Dullea, Gary Lockwood

Many argue that this film is cinema’s GOAT – us, among them – and its enduring status is partly down to ideas around artificial intelligence and technology that have only become more prescient with every passing year. But few sci-fi films have embraced the look, feel and experience of space travel with this level of baked-in, world-building cool. Kubrick had three production designers on the case and got big brands like IBM, Dupont and Nikon to imagine what their products might look like in an interstellar future. Major props, too, to Douglas Trumbull’s eye candy stargate sequence, which helped ensure that late-‘60s stoners were the first audiences to take it all to their hearts.

Director: RIdley Scott

Cast: Matt Damon, Jessica Chastain, Chiwetel Ejiofor

After dividing audiences with Prometheus, Ridley Scott’s return to space was a heel-turn from his previous horrors. Thanks in huge part to a script by The Cabin in the Woods writer Drew Goddard and an endearing performance by Matt Damon as a marooned astronaut, The Martian is a bracing survivalist yarn with a reliable charm. In fact, Damon’s affability scored it an unlikely Best Comedy nod at the Golden Globes. And those laughs are vital in a film detailing a scientist slowly starving himself on a distant planet as his friends risk their lives to rocket through space to save him.

Director: Andrew Stanton

Cast: (voices) Jeff Garlin, Fred Willard, Ben Burtt

Only half of Pixar’s environmentalist parable-slash-intertechnological love story actually takes place in space, and most of those scenes are set aboard the galaxial Noah’s Ark keeping mankind alive after destroying the planet. But its moment among the stars is an absolute stunner. After breaking out of the spaceship’s airlock, the titular sentient trash compactor – aided by a fire extinguisher – and his Alexa-esque paramour twirl, spin and criss-cross each other in a zero-gravity Astaire-Rogers ballet that jerks tears and raises goosebumps in equal measure.

Director: George Lucas

Cast: Mark Hamill, Carrie Fisher, Harrison Ford, Alec Guinness

Has any film more perfectly channelled our fascination with space? It’s easy to forget how truly mesmerising A New Hope is when it ditches its fantastical planets and takes to the sky. It’s not just the dogfights of the climax, either. Much of the film plays out as an intergalactic road trip at warp speed, but it also slows down for a quick game of chess as stars drift past the window. By the end, you find yourself looking skyward, imagining the possibilities – not unlike Luke Skywalker himself, as he stares out beyond Tatooine’s twin suns and dreams of his destiny.

Director: Philip Kaufman

Cast: Sam Shepherd, Ed Harris, Dennis Quaid, Scott Glenn

Philip Kaufman’s boy’s own adaptation of Tom Wolfe’s nonfiction classic is every bit as stirring as Top Gun, though the tale of the US Mercury’s astronauts seldom gets its due. It also begs the question: how is it that movie astronauts are so often depicted as introverted nerds when we’ve seen Sam Shepard’s wildchild Chuck Yaeger breaking the sound barrier and the other Mercury astronauts strutting like the rock stars of their day? Truly, our understanding of space – and the cocksure punks who sought to tame it – remains woefully out of touch.

Director: Georges Méliès

Cast: ​​Georges Méliès

All sci-fi movies – hell, pretty much all of modern effects-led cinema in general – begins here. But we don’t include Georges Méliès’s groundbreaker out of historical obligation. Well over a century later, the film displays an imagination in both storytelling and effects that wows even today, especially when you consider that not even the aeroplane existed yet. Surely, when the first astronauts made it to that big rock in the sky, they half-expected to find harpoon-wielding insectoids there to greet them.

Director: Peter Hyams

Cast: Sean Connery, Peter Boyle, Clarke Peters

Essentially High Noon in space – but with 100 percent more splattered heads, thanks to the wonders of explosive decompression – this Sean Connery-starring space western unfolds above and below one of Jupiter’s moons, where a mining operation becomes the nucleus of a drug-fuelled mystery full of violence and depravity. The film shares a lot of DNA with Alienthanks to its advanced effects and claustrophobic sets; only here, it’s humans doing the eviscerating... and a lot of it.

Director: Dean Parisot

Cast: Tim Allen, Alan Rickman, Sigourney Weaver

Director: Duncan Jones

Cast: Sam Rockwell, Kevin Spacey (voice)

Of course, the scion of Ziggy Stardust would make a movie about a lonely man on the moon staring longingly back at Earth. But debut filmmaker Duncan Jones’ space oddity isn’t some glammed-up spectacle. Rather, it’s an intimate, quietly tense film, with a big existential question at its centre: are we sure any of this is real? Sam Rockwell is transfixing, going it entirely alone – well, almost – as a contractor unravelling near the end of a long stint mining helium-3 on the lunar surface. Small-scale as it is, it looks fantastic, and a bit uncanny, further confusing if what we’re witnessing is truth, dream or madness.

Director: Paul WS Anderson

Cast: Sam Neill, Laurence Fishburne, Kathleen Quinlan

If Alien is effectively Halloween with Michael Myers replaced by a vengeful alien mother, this interstellar nightmare is basically The Shining if Jack Torrance was forced to wile away the winter aboard a massive spacecraft. That’s not a unique comparison, but Paul WS Anderson’s tale of a crew of astronauts going mad beyond the stars – and possibly opening a black hole to Hell – evokes a similar sense of overwhelming dread… only with a sci-fi twist. Featuring a handful of truly freaky images, critics dismissed the film as highfalutin schlock, but the ensuing years have bestowed well-deserved cult status upon it, both for its frightening concept and impressively transgressive visuals.

Director: Ron Clements & John Musker

Cast: (voices) Joseph Gordon-Levitt, Emma Thompson, Martin Short

Disney dared to do something different with its sci-fi take on Robert Louis Stevenson’s pirate classic ‘Treasure Island’. Audiences didn’t respond to its hybrid of hand-drawn and CG animation, or storytelling that ditched princesses in favour of something a little more space-age and weird, but Treasure Planet is full of gorgeous celestial flair. The juxtaposition between old-school tall ships and cutting-edge interstellar animation remains dreamlike in its beauty. Plus, it beats the hell out of Mars Needs Moms.

Director: Nicholas Meyer

Cast: William Shatner, Ricardo Montalbán, Leonard Nimoy

The eye-popping space battles and serene galactic imagery. The mind-controlling space eels. The introduction of the Kobayashi Maru test. The tear-soaked space funeral. The goddamn mind-controlling space eels. The Wrath of Khan stands tall above all the USS Enterprise’s cinematic adventures for many reasons, but chief among them is its deference to space itself – the franchise’s spiritual home. The reboot might have more advanced ships and shinier effects, but this was the moment Trek matched Star Wars in terms of pure awe in the abyss.

Director: Paul Verhoeven

Cast: Casper Van Dien, Denise Richards, Jake Busey

For millennia, humankind has gazed to the heavens and wondered what life exists beyond the stars. Paul Verhoeven has an answer, and it’s a horde of vengeful, snot-spewing insectoids. The Total Recall director’s return to space is a feature-length satire of fascist propaganda films that also plays like a stunning action spectacle, goopy horror romp and white-knuckle actioner. Verhoeven spends considerable time above the battlefield as a fleet of space cruisers discovers rather quickly that their ships are no match for bugbogeysand the unforgiving vacuum of space in graphic detail.

Director: Christopher Nolan

Cast: Matthew McConaughey, Jessica Chastain, Anne Hathaway

McConaughey in deep space? Well, all right, all right, all right. Seriously, for all its stunning images and weighty ideas, it’s the Texan’s everydude charisma that keeps Christopher Nolan’s dense sci-fi odyssey tethered to Earth, even as it drifts beyond the stars. Not to discount the director’s vision: his rendering of the cosmos is the most awe-inspiring since 2001. But it’s McConaughey’s grounding presence that holds it together. The scene in which his would-be interplanetary coloniser watches his daughter grow old without him is a gut-punch you don’t need a degree in astrophysics to understand.

Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Dave Bautista

The MCU’s first proper trip to the cosmos takes its cues from Star Wars and The Ice Pirates in equal measure. But it also carves a unique impression into cinematic space lore thanks to its fantastic worlds and gleeful depiction of space travel. The sequel arguably nails the sensation of gravity-defying antics better, capping things off with a space funeral that trounces The Wrath of Khan. But director James Gunn’s original is the kind of film that knows damn well that a scene of eye-popping space psychedelics all but demands to be scored to Bowie’s ‘Moonage Daydream’ (of course), then delivers in kind.

Director: Ridley Scott

Cast: Sigourney Weaver, Tom Skerritt, Ian Holm

No other film captures the contradiction of space being at once infinitely vast and frighteningly claustrophobic than Ridley Scott’s sci-fi horror masterpiece. It’s an oddly small picture, given its influence and iconic special effects, but the movie’s true genius is in how it maximises its small budget, turning a spaceship into a haunted house and the infinite void of the universe into a deep, dark wood. And the big, bad wolf has never been this terrifying.

Director: Todd Douglas Miller

Strap yourself to the side of the thundering Apollo 11 rocket as it careers into, and beyond, the Earth’s atmosphere in a spectacular doc that makes great use of hitherto unseen Nasa footage. The mission, of course, successfully plonked two Americans on to the Moon’s surface and then unplonked them again, thereby winning that bit of the space race with the Soviet Union, but there’s nothing triumphalist in director Todd Douglas Miller’s thrilling recreation – just a lot of quiet professionalism, teamwork and fearless men in helmets. When it gets into space and the 70mm footage does its thing, it makes you wish you’d actually followed up on that childhood ambition to become an astronaut.

Director: Alfonso Cuarón

Cast: Sandra Bullock, George Clooney

Some were disappointed when Alfonso Cuarón followed up 2006’s Children of Men – a masterpiece of dystopian world-building with big ideas about hope, faith and the future of humanity – with the simple story of an astronaut marooned in space. Of course, there’s nothing all that simple about poor Sandra Bullock’s situation. With her craft destroyed by orbiting debris and her partner (George Clooney) having floated off into the void, home appears both tantalisingly close and unimaginably far away. The movie is a technical marvel, but even on the small screen, it’s breathlessly tense – not since Alien has the infinite expanse of the universe felt so claustrophobic.

Director: Damien Chazelle

Cast: Ryan Gosling, Claire Foy, Kyle Chandler

A true-life astronaut drama that soars for the heavens but finds its deepest emotions at the kitchen table, this reimagining of what Neil Armstrong was contending with at the time of the Apollo 11 mission will have you ugly crying before anyone can so much as bob across that lunar surface. Ryan Gosling reunites with his La La Land director, Damien Chazelle, to humanise the now almost mythical Armstrong in his grief for his young daughter, with a just-holding-it-together Claire Foy as the moonwalker’s wife. For the majority of its runtime, First Man is earthbound. But when it finally touches down on the moon, it’s cinematic magic:a moment of wonderment, solitude and an overwhelming sense that you’re right there too.

Director: James Gray

Cast: Brad Pitt, Ruth Negga, Tommy Lee Jones

Directed with a lust for adventure by The Lost City of Z’s, James Gray,Ad Astra (‘to the stars’) follows Brad Pitt’s spaceman across the galaxy to track down his ornery dad (Tommy Lee Jones), who may or may not be trying to wipe out humanity from a space station near Neptune (spoiler: he is). The journey sits somewhere between the old Star Trek movies in its stargazy philosophising and the rebooted ones in some of zero-g action sequences that suck the air from your lungs. There’s also an awesome space-buggy chase across the moon and a bit with psychotic space baboons. We are here for them both.

Director: Fred M Wilcox

Cast: Leslie Nielsen, Walter Pidgeon, Anne Francis

It’s Shakespeare in space – this iconic sci-fi is an intergalactic take on The Tempest – as a group ofgalactic travellers led by a straight-shooting Leslie Nielsen fall into the lap of megalomaniac boffin (Walter Pidgeon) on the remote planet of Altair 4. Cutting-edge effects presented in widescreen CinemaScope – the flying saucer remains cool AF – make this a true landmark not just in space flicks, but sci-fi genre as a whole. Don’t take our word for it: Gene Roddenberry cites it as a major influence on Star Trek.

Director: Douglas Trumbull

Cast: Bruce Dern, Cliff Potts

A direct inspiration for WALL-E and about as eco-conscious as science-fiction can get, this enduring classic shows that 2001: A Space Odyssey SFX maestro Trumbull could tell his own stories too. And this one follows a single astronaut (Bruce Dern) and his three adorbs robot pals, Louie, Huey and Dewey, as they drift through space, doing a spot of gardening and trying to stay sane in the face of mankind’s extinction. Heavy themes, sure, but treated with loads of heart and a philosophical spirit that echoes especially loudly in an era of climate crisis.

Director: Andrei Tarkovsky

Cast: Donatas Banionis, Natalya Bondarchuk

Since remade by Steven Soderbergh, the original Tarkovsky Solaris is definitely the place to start when it comes to enigmatic, brainy affairs set in the far reaches of the universe. A cosmonaut (Lithuanian actor Donatas Banionis) is haunted by his dead wife as his spaceship orbits a mysterious planet. But is the planet creating embodiments of the ghosts haunting the poor man’s subsconscious, a bit like when Ray Stantz accidentally summons the Stay-Puft Marshmallow Man in Ghostbusters? With its eerie visuals, it makes for a dreamlike journey to the far reaches of the human psyche.

Director: Nathan Juran

Cast: Edward Judd, Martha Hyer, Lionel JeffriesThis monster-filled space adventure came out five years before man actually set foot on the moon and you can only hope Buzz Aldrin and Neil Armstrong weren’t watching, because the moon landing itself is a trainwreck. The ‘in’ part of the title is key: this is a Journey to the Centre of the Earth-style caper that has a crew of heroically under-prepared Brits discovering all sorts of things that don’t want to be discovered beneath the lunar crust. You will learn nothing at all about space but the giant stop-motion critters, animated by the great Ray Harryhausen, are a lot of fun.

Director: Danny Boyle

Cast: Cillian Murphy, Rose Byrne, Michelle Yeoh

Director Danny Boyle positions his mindtrip space flick as a midway point between 2001: A Space Oydssey and Alien – a fusion of thrills and thinky bits that culminates in a third act that gets close to melting down as it draws close to the sun. You could probably throw Armageddon into that mix – a self-sacrificing crew of astronauts heads into space to save humanity from annihilation – although it’s a lot more believable (Boyle put his cast through astronaut training) and a lot less tub-thumping. The vast planetary vistas glimpsed from the decks of the Icarus II make a suitably awe-inspiring backdrop from its stellar cast (Cillian Murphy, Rose Byrne, Chris Evans et al) to come apart at the seams.

Director: Ron Howard

Cast: Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinese

So much more than its famous ‘Houston, we have a problem’ catchphrase, Apollo 13 harkens back to the glory days of white-knuckle, PG-rated entertainment. An ensemble tribute to the power of group problem-solving, it has Howard fully embracing a ‘70s aesthetic and the storytelling of the era to craft a timeless middlebrow crowd-pleaser with an almost surgical focus on the imperiled mission at hand.

Director: Robert Zemeckis

Cast: Jodie Foster, Matthew McConaughey, John Hurt

We’d have loved to include Denis Villeneuve’s magical, melancholy Arrivalon this list but it takes place entirely within Earth’s atmosphere. Instead, try this big, ambitious drama from Back to the Future’s Robert Zemeckis based on a book by sci-fi seer Carl Sagan. Contact’s heart is in a similar place, and like Arrival’s protagonist played by Amy Adams, it is female-led, steers clear of macho ideas of hostile aliens and cocks an ear to new voices from far beyond our solar system. Zemeckis, who loves to push visual boundaries, images space travel as a dizzying acid trip full of wormholes, whirlpools and mind-bending geometries. It’s one of those rare movies that should come with motion sickness tablets.

Director: John Carpenter

Cast: Dan O'Bannon, Dre Pahich, Brain Narelle

There’s no film version of The Muppet’s ‘Pigs in Space’ sketch, but John Carpenter’s debut, set during the 22nd century, delivers the next best thing: A hippie movie hopped up on its own counter-cultural sense of the absurd (there’s a talking bomb) and a pisstake-y irreverence. It’s the perfect antidote to bombastic science-fictions that get lost in their own self-importance – a lo-fi whoopie cushion that invites you aboard its titular spacecraft to hang out with four fargone astronauts and indulge in a little space surfing.

Director: Claire Denis

Cast: Robert Pattinson, Juliette Binoche, André Benjamin

Myriad mysteries abound in this deliriously bonkers space oddity from French auteur Claire Denis (White Material) that co-stars Robert Pattinson and Juliette Binoche as an interstellar inmate and his scientist jailer. The human body and its function gets a rare exploration in this context – space flicks rarely spend this much time over their characters’ sexual needs in zero gravity (2001: A Space Odyssey does not have a Fuckbox) – and its themes of reproduction, incarceration and experimentation play out in a space with its own realities. Go with it, in other words, and be rewarded with a space journey unlike any other.